Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

By Hariharan U

Published on December 18, 2025

Bharatanatyam exponent Bala Devi Chandrashekar has long been known for her deeply researched, philosophically rooted productions that seamlessly weave together shastra, sculpture, music and literature. Her latest work, Mauli – A Timeless Tradition, draws from the centuries-old Pandharpur wari and the Varkari movement, presenting devotion not as spectacle, but as lived, collective experience.

In conversation with Hospitality News Magazine, Bala Devi Chandrashekar speaks about the inspiration behind Mauli, her multidisciplinary approach, artistic evolution, and how platforms like the Sangam Festival continue to showcase the enduring relevance of India’s classical dance traditions.

What inspired you to choose the Pandharpur wari and the Varkari tradition as the central theme for Mauli – A Timeless Tradition? 

The Pandharpur wari and the Varkari tradition inspired Mauli – A Timeless Tradition because they embody an unbroken, living continuum of bhakti that has flowed across centuries without reliance on spectacle or patronage.

At its core lies a radical spiritual democracy, where devotion dissolves distinctions of caste, class and scholarship. The poetry of the Varkari saints offers profound philosophical depth rooted in lived experience rather than abstraction.

The physical act of pilgrimage, walking, singing and surrendering resonated deeply with me as embodied spirituality, aligning naturally with Bharatanatyam’s kinetic language. Mauli emerged as an artistic response to this collective, timeless surrender to Panduranga Vittala.

Your works are known for blending shastra, sculpture, music and literature. How did this multidisciplinary approach shape the narrative and choreography for Mauli?

For Mauli, the multidisciplinary approach allowed the Varkari tradition to be experienced not merely as history, but as a living philosophy embodied in form.

Shastra provided the philosophical framework, while temple sculpture and iconography shaped spatial design, stance and kinetic geometry. Abhanga poetry and kirtan traditions informed the musical and rhythmic architecture, guiding both narrative pacing and emotional contour.

Literature anchored the choreography in lived devotion, translating metaphysical ideas into accessible human experience. Together, these disciplines converged to create a cohesive narrative where movement becomes an act of collective remembrance and surrender.

The wari embodies values like equality, devotion and collective humanity. How did you translate these spiritual and emotional dimensions into movement vocabulary and stage design?

The values of equality and collective humanity were translated primarily through movement and musical architecture rather than visual spectacle. I consciously employed minimal stage props, allowing the body, rhythm and shared spatial pathways to carry the emotional and spiritual weight of the wari.

Elaborate musical structures rooted in abhanga, kirtan and cyclical laya shaped the collective pulse and guided the choreography. The movement vocabulary emphasised walking patterns, unison phrases and grounded repetition, reflecting devotion as a shared, lived experience. This restraint in design ensured that the focus remained on collective surrender and the inner journey central to the Varkari ethos.

With your global experiences and recognition as ‘Natya Kala Visharadha Ha’, how does this production reflect your artistic evolution, and what message do you hope audiences take away from Mauli?

Mauli reflects my artistic evolution towards greater restraint, depth and inner clarity, shaped by decades of performing across diverse global contexts.

The recognition as Natya Kala Visharadha Ha reaffirmed my commitment to scholarship-driven work where tradition is not presented as nostalgia, but as a living ethical force. This production distils movement, music and philosophy into an offering rather than a display, privileging collective emotion over individual virtuosity.

Through Mauli, I hope audiences are reminded that devotion can be egalitarian, participatory and profoundly humane. The enduring message is that spiritual continuity is sustained not by grandeur, but by humility, shared faith and walking together.

How do the featured productions at this year’s Sangam Festival showcase the richness and appeal of India’s classical dance tradition to a wider audience?

This year’s Sangam Festival brings together a thoughtfully curated set of productions that reflect the breadth and vitality of India’s classical dance traditions. From Ananta Nartana, which celebrates expansive ensemble movement, to Vichitra Pradarshini, showcasing distinctive creative voices within a classical framework, the festival foregrounds both continuity and innovation.

Together with Meenakshi, which draws from mythological and devotional narratives, the festival demonstrates how classical dance continues to evolve while remaining deeply anchored in tradition. The diversity of themes, choreographic approaches and ensemble work makes the performances accessible and engaging for a wide audience. Collectively, the productions affirm classical dance as a living art form rich in heritage, expressive in content and relevant to contemporary audiences.

Event Schedule: Mauli – A Timeless Tradition (All are welcome)

  • 25th December 2025 | 7:30 PM
    Brahma Gana Sabha, TAG Dakshinamurthy Auditorium, PS High School, Mylapore, Chennai

  • 27th December 2025 | 5:30 PM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai

  • 4th January 2026 | 5:30 PM
    Parthasarathy Swami Sabha, R K Swamy Auditorium, Mylapore, Chennai

  • 9th January 2026 | 5:30 PM
    Bharatiya Vidya Bhavan, Mylapore, Chennai

Event Schedule: Sangam Festival 2025

  • 30th December 2025 | 10:00 AM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai


ALIVAA Hotels & Resorts Enters Madhya Pradesh with Maharaja Kothi, Bandhavgarh Signing

ALIVAA Hotels & Resorts Enters Madhya Pradesh with Maharaja Kothi, Bandhavgarh Signing

By Manu Vardhan Kannan

Published on July 13, 2026

ALIVAA Hotels & Resorts has announced its entry into Madhya Pradesh with the signing of Maharaja Kothi, Bandhavgarh, in partnership with the HHR Group of Hotels and Resorts. The signing marks the hospitality company's debut in Central India's wildlife and upscale leisure segment while strengthening its growing presence across key travel destinations in the country.

Located in the heart of Bandhavgarh, the property sits close to one of India's most celebrated wildlife destinations, known for having one of the highest densities of Royal Bengal Tigers. Once the private hunting grounds of the Maharajas of Rewa, the region is renowned for its rich heritage, lush sal forests, scenic meadows, and the historic 2,000-year-old Bandhavgarh Fort, making it a sought-after destination for wildlife enthusiasts and leisure travellers.

Through this partnership, ALIVAA aims to combine its hospitality expertise with the destination's unique heritage, offering guests an elevated stay experience while expanding its footprint in India's growing wildlife tourism market.

Commenting on the signing, Akash Bhatia, Chief Executive Officer, Management & Franchise, ALIVAA Hotels & Resorts, said:

"Entering Madhya Pradesh through a destination as iconic as Bandhavgarh aligns perfectly with our vision of curating exceptional leisure experiences. Maharaja Kothi captures the untamed spirit of the region while offering the refined comfort our guests expect. Our partnership with HHR Group lets us pair Bandhavgarh's royal heritage with ALIVAA's technology-driven revenue systems and high-touch service to create lasting value for owners and guests alike."

Vikramjit Singh, Chairman and Managing Director, ALIVAA Hotels & Resorts, added:

"Our alliance with HHR Group reflects a shared set of hospitality values. As ALIVAA expands across India's premier leisure corridors, moving into wildlife tourism is a natural next step. Maharaja Kothi, Bandhavgarh will anchor our presence in Central India and set a new benchmark for boutique and experiential travel in the region."

Sharing his thoughts on the partnership, Maharaj Pushpraj Singh, Owner, HHR Group of Hotels and Resorts, said:

"Bandhavgarh holds deep personal and historical significance for us, and our aim has always been to offer a sanctuary worthy of its royal legacy and natural wonder. ALIVAA's operational expertise, distribution strength, and genuine respect for local heritage make them the right partner for HHR Group. Together, we look forward to elevating the guest experience so that every traveller feels the true essence of royal Central Indian hospitality, matched with world-class contemporary service."

With this signing, ALIVAA Hotels & Resorts continues its expansion into high-potential leisure destinations, further strengthening its presence in India's hospitality landscape while tapping into the growing demand for wildlife and experiential travel.


Raymond Lifestyle Launches 10th Edition of Garment Exchange Program

By Manu Vardhan Kannan

Published on July 12, 2026

Raymond Lifestyle has launched the 10th edition of its annual Garment Exchange Program (GEP), reinforcing its commitment to circular fashion and community development. Running from July 2 to July 23, 2026, the nationwide initiative encourages customers to donate pre-loved garments in exchange for free stitching vouchers on freshly purchased Raymond fabrics.

The campaign will be available across 1,000+ Raymond Shops and select multi-brand outlets across India. This year's edition also introduces a new digital campaign, "FIT FOR YOU. FEELS LIKE YOU.", conceptualised by BBDO India, part of Omnicom Advertising India.

The campaign highlights the value of customised clothing while encouraging consumers to move beyond the one-size-fits-all approach of fast fashion. Through the initiative, customers can donate garments across categories, including shirts, trousers, jackets, women's wear, and children's clothing, while experiencing Raymond's bespoke tailoring services.

All donated garments will be collected by Goonj, a non-profit organisation that uses clothing as a resource for rural development, disaster relief, and livelihood generation. After undergoing a detailed sorting and processing process at Goonj's Circularity Centres, the garments become part of material kits that are distributed as dignified rewards to rural communities participating in local development initiatives such as water body restoration, bamboo bridge construction, and other community projects.

Speaking about the milestone edition, Satyaki Ghosh, Director and CEO of Raymond Lifestyle Limited, said:

"Reaching the 10th-year milestone of 'Look Good Feel Good' is a proud moment that reflects the strong brand ethos. At Raymond, our relationship with our consumers has always been interwoven with threads of trust and timeless elegance and the intent to give back through circularity in fashion. As we continue our journey with Goonj, we stay committed to elevating the dignity of labour in our own ecosystem. As customisation and premiumisation continue to define the Indian luxury landscape, this initiative also serves as a bridge, allowing our customers to experience the unparalleled precision of Raymond tailoring."

Anshu Gupta, Founder of Goonj, added:

"The long-standing partnership between Goonj and Raymond has evolved into a meaningful coming together of people, purpose and possibilities. Year after year, this campaign has shown that when citizens are offered a meaningful platform to contribute, they respond with ownership and commitment. Twenty-seven years ago, we recognised that despite being one of humanity's three basic needs, cloth remained one of the most neglected. Since then, Goonj has worked to change the lens, language and narrative around not only clothing but about material poverty, from an ignored necessity to a powerful resource for development and climate action. Millions of kilograms of discarded cloth and other underutilised material continue to burden the landfill and such relationships stop the same at a scale. We look forward to deepening our partnership with Raymond and continuing to demonstrate how collective action can transform an overlooked resource into opportunities for dignity and sustainable development."

Commenting on the campaign, Josy Paul, Chairperson and CCO, BBDO India, said:

"This campaign celebrates individuality and craftsmanship, reminding us that the best fit is the one that’s uniquely yours. Every garment is crafted to honour the person wearing it - because true style is personal. The catchy song in this beautifully styled film invites people to exchange pre-loved garments at The Raymond Shop for free custom tailoring for a fit that truly ‘feels like you”."

Customers participating in the program can redeem their free stitching vouchers on newly purchased Raymond fabrics at participating Raymond Shops and selected multi-brand outlets. The vouchers issued during the campaign will remain valid until July 31, 2026.


IHCL Opens Vivanta Gurugram Sector 95A, Expands NCR Presence to 18 Hotels

IHCL Opens Vivanta Gurugram Sector 95A, Expands NCR Presence to 18 Hotels

By Manu Vardhan Kannan

Published on July 11, 2026

Indian Hotels Company (IHCL) has announced the opening of Vivanta Gurugram Sector 95A, strengthening its presence in the National Capital Region (NCR). The launch marks IHCL's 18th hotel in the NCR and further expands the Vivanta brand in one of India's fastest-growing business hubs.

Commenting on the opening, Deepika Rao, Executive Vice President – New Businesses and Hotel Openings, IHCL, said, "Gurugram continues to be one of India's most dynamic commercial centres, supported by strong corporate demand and infrastructure growth. The opening of Vivanta Gurugram strengthens IHCL's presence in NCR and expands Vivanta's footprint in a high-growth market. Designed for today's discerning traveller, the hotel combines contemporary design and intuitive service."

The 154-key hotel is strategically located in Sector 95A, offering easy access to Gurugram's key business districts and commercial centres, making it an ideal choice for both business and leisure travellers.

Guests can choose from a range of dining experiences, including Mynt, the all-day dining restaurant serving global and local favourites; Wink, the rooftop bar offering panoramic city views alongside signature cocktails; and Tease, a poolside lounge designed for relaxed evenings.

The hotel also features a rooftop infinity pool overlooking the Gurugram skyline, a fully equipped fitness centre, spacious banquet halls, and meeting rooms suitable for corporate events, conferences, weddings, and social celebrations.

Sharing her thoughts on the opening, Ashadeep Sidhu, General Manager, Vivanta Gurugram Sector 95A, said, "We are delighted to welcome guests to Vivanta Gurugram. Located in India's Millennium City, the hotel offers a contemporary urban oasis that reflects the city's energy while creating memorable experiences for both business and leisure travellers."

With the addition of Vivanta Gurugram Sector 95A, IHCL continues to strengthen its footprint across key business destinations while catering to the evolving needs of modern travellers.

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