Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

By Hariharan U

Published on December 18, 2025

Bharatanatyam exponent Bala Devi Chandrashekar has long been known for her deeply researched, philosophically rooted productions that seamlessly weave together shastra, sculpture, music and literature. Her latest work, Mauli – A Timeless Tradition, draws from the centuries-old Pandharpur wari and the Varkari movement, presenting devotion not as spectacle, but as lived, collective experience.

In conversation with Hospitality News Magazine, Bala Devi Chandrashekar speaks about the inspiration behind Mauli, her multidisciplinary approach, artistic evolution, and how platforms like the Sangam Festival continue to showcase the enduring relevance of India’s classical dance traditions.

What inspired you to choose the Pandharpur wari and the Varkari tradition as the central theme for Mauli – A Timeless Tradition? 

The Pandharpur wari and the Varkari tradition inspired Mauli – A Timeless Tradition because they embody an unbroken, living continuum of bhakti that has flowed across centuries without reliance on spectacle or patronage.

At its core lies a radical spiritual democracy, where devotion dissolves distinctions of caste, class and scholarship. The poetry of the Varkari saints offers profound philosophical depth rooted in lived experience rather than abstraction.

The physical act of pilgrimage, walking, singing and surrendering resonated deeply with me as embodied spirituality, aligning naturally with Bharatanatyam’s kinetic language. Mauli emerged as an artistic response to this collective, timeless surrender to Panduranga Vittala.

Your works are known for blending shastra, sculpture, music and literature. How did this multidisciplinary approach shape the narrative and choreography for Mauli?

For Mauli, the multidisciplinary approach allowed the Varkari tradition to be experienced not merely as history, but as a living philosophy embodied in form.

Shastra provided the philosophical framework, while temple sculpture and iconography shaped spatial design, stance and kinetic geometry. Abhanga poetry and kirtan traditions informed the musical and rhythmic architecture, guiding both narrative pacing and emotional contour.

Literature anchored the choreography in lived devotion, translating metaphysical ideas into accessible human experience. Together, these disciplines converged to create a cohesive narrative where movement becomes an act of collective remembrance and surrender.

The wari embodies values like equality, devotion and collective humanity. How did you translate these spiritual and emotional dimensions into movement vocabulary and stage design?

The values of equality and collective humanity were translated primarily through movement and musical architecture rather than visual spectacle. I consciously employed minimal stage props, allowing the body, rhythm and shared spatial pathways to carry the emotional and spiritual weight of the wari.

Elaborate musical structures rooted in abhanga, kirtan and cyclical laya shaped the collective pulse and guided the choreography. The movement vocabulary emphasised walking patterns, unison phrases and grounded repetition, reflecting devotion as a shared, lived experience. This restraint in design ensured that the focus remained on collective surrender and the inner journey central to the Varkari ethos.

With your global experiences and recognition as ‘Natya Kala Visharadha Ha’, how does this production reflect your artistic evolution, and what message do you hope audiences take away from Mauli?

Mauli reflects my artistic evolution towards greater restraint, depth and inner clarity, shaped by decades of performing across diverse global contexts.

The recognition as Natya Kala Visharadha Ha reaffirmed my commitment to scholarship-driven work where tradition is not presented as nostalgia, but as a living ethical force. This production distils movement, music and philosophy into an offering rather than a display, privileging collective emotion over individual virtuosity.

Through Mauli, I hope audiences are reminded that devotion can be egalitarian, participatory and profoundly humane. The enduring message is that spiritual continuity is sustained not by grandeur, but by humility, shared faith and walking together.

How do the featured productions at this year’s Sangam Festival showcase the richness and appeal of India’s classical dance tradition to a wider audience?

This year’s Sangam Festival brings together a thoughtfully curated set of productions that reflect the breadth and vitality of India’s classical dance traditions. From Ananta Nartana, which celebrates expansive ensemble movement, to Vichitra Pradarshini, showcasing distinctive creative voices within a classical framework, the festival foregrounds both continuity and innovation.

Together with Meenakshi, which draws from mythological and devotional narratives, the festival demonstrates how classical dance continues to evolve while remaining deeply anchored in tradition. The diversity of themes, choreographic approaches and ensemble work makes the performances accessible and engaging for a wide audience. Collectively, the productions affirm classical dance as a living art form rich in heritage, expressive in content and relevant to contemporary audiences.

Event Schedule: Mauli – A Timeless Tradition (All are welcome)

  • 25th December 2025 | 7:30 PM
    Brahma Gana Sabha, TAG Dakshinamurthy Auditorium, PS High School, Mylapore, Chennai

  • 27th December 2025 | 5:30 PM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai

  • 4th January 2026 | 5:30 PM
    Parthasarathy Swami Sabha, R K Swamy Auditorium, Mylapore, Chennai

  • 9th January 2026 | 5:30 PM
    Bharatiya Vidya Bhavan, Mylapore, Chennai

Event Schedule: Sangam Festival 2025

  • 30th December 2025 | 10:00 AM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai


IHM Hyderabad Hosts Annual Awards Celebrating Student Excellence

IHM Hyderabad Hosts Annual Awards Celebrating Student Excellence

By Manu Vardhan Kannan

Published on April 22, 2026

The Institute of Hotel Management, Catering Technology & Applied Nutrition, Hyderabad (IHM-Hyderabad), a premier Central Government institute under the Ministry of Tourism, Government of India, hosted its Annual Awards Ceremony for the academic year 2025–26 at its campus in DD Colony, Vidyanagar. The event brought together students, faculty, and industry leaders to celebrate academic excellence, strong placement results, and overall student achievements.

The ceremony was attended by several distinguished guests, including Sri Pradyumna Krishna Dasa, Spiritual Leader (ISKCON); Mr. Deep Preet Bindra, General Manager, The Westin Hyderabad Mindspace; Mr. Gaurav K. Kumra, VP & GM, Trident Hyderabad; Mr. Ajit Singh Garcha, Area GM, The Park Hyderabad; Mr. Baranirathan Chidambar, VP Operations, Green Park Hotels; Mr. Vishal Srivastava, General Manager, Vivanta Hyderabad; Mr. Nagesh Pampati, Chairman, TAAI Andhra Pradesh & Telangana Chapter; Mr. Krupakar Ravipati, Assistant Director, India Tourism and Mr. Sanjay Thakur, Principal, IHM-Hyderabad.

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The programme began with a traditional Ganesh Vandana followed by the National Anthem. In his welcome address, Principal Mr. Sanjay Thakur highlighted the institute’s continued focus on building skilled and industry-ready hospitality professionals. One of the key moments of the event was the unveiling of the annual college magazine CACKLE, which showcased the institute’s achievements and creative work over the past year.

Faculty and administrative staff were also recognised for their contribution to the institute’s growth, reflecting their role in maintaining strong academic and operational standards.

Placement performance stood out as a major highlight this year. Around 40 students secured Management Trainee roles with leading hotel chains, while more than 150 students were placed across sectors such as QSRs, FMCG, retail, co-working spaces, airport outlets, corporate catering, and facility management. Several final-year students are also moving towards international placements, showing the institute’s strong industry connections.

Student achievements were celebrated across multiple areas. Academic toppers and sportspersons were honoured at the Yamuna Ranga Rao Trophy Inter-College Sports Meet. Creative talent was recognised through the Inter-Collegiate Flower Arrangement Competition, while students who performed well in state and national culinary competitions like India Skills and Everest Better Kitchen were also felicitated.

Among the academic award winners, Preeti Chouhan (Alumnus 2025) secured first rank in the final year and topped in F&B Service and Accommodation Operations. Hedaoo Rushil Avinash (Alumnus 2025) was recognised as the second topper of the final year. Rahil Sharma (Batch 2026) was awarded topper of the second year B.Sc., while Nalla Bipin Teja (Batch 2026) secured the second position. Meghana Bhutada (Batch 2026) was recognised as topper in the vegetarian course. In the first year category, Sattwikee Ray (Batch 2027) secured the top position, followed by Akshit Baliyan (Batch 2027) as second topper. Kovvuri Pavani (Alumnus 2025) and Amaresh Samal (Alumnus 2025) were honoured as the first and second toppers respectively in the Craftsmanship Certificate Course in Food Production & Patisserie.

The event also featured insightful addresses from the invited guests, offering students guidance and industry perspectives as they prepare for their careers.

The ceremony concluded with a vote of thanks by Rachna Agashe, HoD, followed by a rendition of Vande Mataram. Guests were then served a specially curated lunch prepared by the institute’s chefs. A note of thanks was extended to EazyDiner for supporting the event as sponsor.


IICA Hosts Kids Gourmet Dessert Masterclass at Shoppers Stop Gurugram

IICA Hosts Kids Gourmet Dessert Masterclass at Shoppers Stop Gurugram

By Manu Vardhan Kannan

Published on April 21, 2026

The International Institute of Culinary Arts (IICA) recently hosted a Kids Gourmet Dessert Masterclass at the Shoppers Stop outlet in Sector 66, Gurugram. The session was designed as an interactive, hands-on experience, introducing young participants to the basics of gourmet dessert-making while encouraging creativity and confidence in the kitchen. Over 65 young learners took part in the workshop, making it a lively and engaging session. This also marked the third workshop conducted by IICA at Shoppers Stop.

The masterclass was led by Chef Dharmendra Kumar, Sous Chef, Bakery & Pastry, IICA, along with Chef Prashant Kumar, Jr. Sous Chef, IICA. During the session, they demonstrated two recipes, Foxnut and Chocolate Rocks, and Fruit Trifle with Eggless Sponge. The chefs focused on simplifying techniques, making gourmet concepts easy for children to understand and enjoy.

The workshop was attended by Gandharv, Customer Care Associate & Marketing Manager at Shoppers Stop. Supporting the chefs were IICA students Gyan Vrat Arya (Bakery Student) and Aryan Jha (Culinary Student), who gained hands-on experience through the session. Such workshops at IICA are aimed at bridging the gap between classroom learning and industry exposure, giving students a chance to understand real-world environments.

Chef Virender S. Datta, Founder, International Institute of Culinary Arts (IICA), said, "Workshops like these play an important role in introducing young audiences to culinary creativity in an engaging and interactive manner. Such initiatives not only encourage early interest in the culinary arts but also help create memorable experiences for participants, while enabling brands like Shoppers Stop to meaningfully engage with their customers through unique, hands-on activities."

Arjun S. Datta, Managing Director & COO, International Institute of Culinary Arts (IICA), added, "Collaborations like these provide an effective platform for organisations such as Shoppers Stop to enhance customer engagement by offering interactive culinary and pastry workshops. These experiences help create stronger connections with their audience while bringing a unique experiential dimension to retail environments."

For those interested in building a career in culinary or bakery arts, registrations are currently open for the July '26 batch at IICA’s Hauz Khas campus. The programmes offer structured training under experienced chefs, with a strong focus on practical learning and industry exposure, along with pathways to global work opportunities.

Founded in 2005 by Chef Virender S. Datta, IICA is among the early institutions in India to introduce internationally benchmarked culinary education. The institute combines structured kitchen training with globally recognised qualifications from City & Guilds (UK) and BSI Learning (Australia), offered exclusively at IICA. It has also expanded its global presence through collaborations, including a Memorandum of Understanding with Kyoto Culinary Art College and Kyoto Pastry & Bakery Art College in Japan, enabling student exchange, joint curriculum development, and cross-cultural learning opportunities.


Jumpin Heights Unveils Valley Rope Jump

Jumpin Heights Unveils Valley Rope Jump

By Hariharan U

Published on April 20, 2026

India’s adventure tourism landscape is taking a sharper, more ambitious turn as Jumpin Heights introduces what it calls the country’s only Valley Rope Jump. Launched in the scenic expanse of Rishikesh’s Mohanchatti valley, the experience signals a new phase in high-adrenaline, globally benchmarked activities within India.

Set against the Himalayan backdrop, the Valley Rope Jump is designed to push the limits of conventional adventure formats. Participants experience an intense freefall, nearly double that of a traditional bungy jump—before transitioning into a high-velocity swing across the valley. The combination of vertical drop and sweeping motion creates a layered thrill, enhanced by expansive panoramic views.

Safety and engineering remain central to the experience. Participants are secured with international-standard seat and chest harness systems, connected to specially designed wire ropes, before stepping off a cliff-edge platform. The setup is supported by multiple fail-safe mechanisms and is operated by certified experts, aligning with global safety benchmarks.

The offering introduces flexible formats to broaden its appeal. A tandem “Fearless Duo” option allows two participants to jump together, while solo jumpers can earn the “Valley Victor” recognition, adding a gamified dimension to the experience. This layered approach reflects a shift in adventure tourism, from single-activity thrills to more immersive and personalised formats.

The launch builds on Jumpin Heights’ legacy of innovation, including its widely discussed Cut Cord Bungy, which helped generate strong consumer interest and digital traction. With the Valley Rope Jump, the brand continues to position itself at the forefront of India’s extreme adventure ecosystem, bringing formats typically seen in international markets closer to home.

Commenting on the development, Managing Director Niharika Nigam said, “We have been extremely selective about introducing new experiences. It took us over a decade to conceptualise something that could truly raise the bar. The Valley Rope Jump is not just another activity—it is designed to be one of the most extreme and technically advanced adventure experiences in India, aligning with global standards while showcasing the natural beauty of Rishikesh.”

Located approximately 45 minutes from Lakshman Jhula, the Mohanchatti site combines accessibility with a dramatic natural setting. The valley’s terrain and acoustics further amplify the sensory experience, making it a compelling draw for both domestic and international thrill-seekers.

As experiential travel continues to gain momentum, offerings like the Valley Rope Jump highlight a clear shift, towards curated, high-impact experiences that go beyond traditional sightseeing. For Jumpin Heights, the focus remains on pushing boundaries while ensuring that safety, precision, and innovation stay at the core of every jump.

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