Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

Mauli – A Timeless Tradition: Bala Devi Chandrashekar on Bhakti, Bharatanatyam and the Power of Collective Devotion

By Hariharan U

Published on December 18, 2025

Bharatanatyam exponent Bala Devi Chandrashekar has long been known for her deeply researched, philosophically rooted productions that seamlessly weave together shastra, sculpture, music and literature. Her latest work, Mauli – A Timeless Tradition, draws from the centuries-old Pandharpur wari and the Varkari movement, presenting devotion not as spectacle, but as lived, collective experience.

In conversation with Hospitality News Magazine, Bala Devi Chandrashekar speaks about the inspiration behind Mauli, her multidisciplinary approach, artistic evolution, and how platforms like the Sangam Festival continue to showcase the enduring relevance of India’s classical dance traditions.

What inspired you to choose the Pandharpur wari and the Varkari tradition as the central theme for Mauli – A Timeless Tradition? 

The Pandharpur wari and the Varkari tradition inspired Mauli – A Timeless Tradition because they embody an unbroken, living continuum of bhakti that has flowed across centuries without reliance on spectacle or patronage.

At its core lies a radical spiritual democracy, where devotion dissolves distinctions of caste, class and scholarship. The poetry of the Varkari saints offers profound philosophical depth rooted in lived experience rather than abstraction.

The physical act of pilgrimage, walking, singing and surrendering resonated deeply with me as embodied spirituality, aligning naturally with Bharatanatyam’s kinetic language. Mauli emerged as an artistic response to this collective, timeless surrender to Panduranga Vittala.

Your works are known for blending shastra, sculpture, music and literature. How did this multidisciplinary approach shape the narrative and choreography for Mauli?

For Mauli, the multidisciplinary approach allowed the Varkari tradition to be experienced not merely as history, but as a living philosophy embodied in form.

Shastra provided the philosophical framework, while temple sculpture and iconography shaped spatial design, stance and kinetic geometry. Abhanga poetry and kirtan traditions informed the musical and rhythmic architecture, guiding both narrative pacing and emotional contour.

Literature anchored the choreography in lived devotion, translating metaphysical ideas into accessible human experience. Together, these disciplines converged to create a cohesive narrative where movement becomes an act of collective remembrance and surrender.

The wari embodies values like equality, devotion and collective humanity. How did you translate these spiritual and emotional dimensions into movement vocabulary and stage design?

The values of equality and collective humanity were translated primarily through movement and musical architecture rather than visual spectacle. I consciously employed minimal stage props, allowing the body, rhythm and shared spatial pathways to carry the emotional and spiritual weight of the wari.

Elaborate musical structures rooted in abhanga, kirtan and cyclical laya shaped the collective pulse and guided the choreography. The movement vocabulary emphasised walking patterns, unison phrases and grounded repetition, reflecting devotion as a shared, lived experience. This restraint in design ensured that the focus remained on collective surrender and the inner journey central to the Varkari ethos.

With your global experiences and recognition as ‘Natya Kala Visharadha Ha’, how does this production reflect your artistic evolution, and what message do you hope audiences take away from Mauli?

Mauli reflects my artistic evolution towards greater restraint, depth and inner clarity, shaped by decades of performing across diverse global contexts.

The recognition as Natya Kala Visharadha Ha reaffirmed my commitment to scholarship-driven work where tradition is not presented as nostalgia, but as a living ethical force. This production distils movement, music and philosophy into an offering rather than a display, privileging collective emotion over individual virtuosity.

Through Mauli, I hope audiences are reminded that devotion can be egalitarian, participatory and profoundly humane. The enduring message is that spiritual continuity is sustained not by grandeur, but by humility, shared faith and walking together.

How do the featured productions at this year’s Sangam Festival showcase the richness and appeal of India’s classical dance tradition to a wider audience?

This year’s Sangam Festival brings together a thoughtfully curated set of productions that reflect the breadth and vitality of India’s classical dance traditions. From Ananta Nartana, which celebrates expansive ensemble movement, to Vichitra Pradarshini, showcasing distinctive creative voices within a classical framework, the festival foregrounds both continuity and innovation.

Together with Meenakshi, which draws from mythological and devotional narratives, the festival demonstrates how classical dance continues to evolve while remaining deeply anchored in tradition. The diversity of themes, choreographic approaches and ensemble work makes the performances accessible and engaging for a wide audience. Collectively, the productions affirm classical dance as a living art form rich in heritage, expressive in content and relevant to contemporary audiences.

Event Schedule: Mauli – A Timeless Tradition (All are welcome)

  • 25th December 2025 | 7:30 PM
    Brahma Gana Sabha, TAG Dakshinamurthy Auditorium, PS High School, Mylapore, Chennai

  • 27th December 2025 | 5:30 PM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai

  • 4th January 2026 | 5:30 PM
    Parthasarathy Swami Sabha, R K Swamy Auditorium, Mylapore, Chennai

  • 9th January 2026 | 5:30 PM
    Bharatiya Vidya Bhavan, Mylapore, Chennai

Event Schedule: Sangam Festival 2025

  • 30th December 2025 | 10:00 AM
    Kartik Fine Arts, Bhavan Auditorium, Mylapore, Chennai


Lemon Tree Expands Portfolio with Resorts in Tadgaon and Igatpuri

Lemon Tree Expands Portfolio with Resorts in Tadgaon and Igatpuri

By Manu Vardhan Kannan

Published on June 22, 2026

Lemon Tree Hotels Limited has announced the signing of two new resort properties in Maharashtra – Lemon Tree Resort, Tadgaon and Lemon Tree Resort, Igatpuri. With these additions, the hospitality company will expand its presence in the state to 32 properties, comprising 15 operational hotels and 17 properties in the pipeline, including the newly signed resorts.

Both properties will be managed by Carnation Hotels Private Limited, a wholly owned subsidiary of Lemon Tree Hotels Limited. The latest signings reflect the group's continued focus on emerging leisure destinations that are becoming popular drive-to getaways for travellers from major cities such as Mumbai, Navi Mumbai, Thane, and Pune.

Lemon Tree Resort, Tadgaon will feature 110 well-appointed rooms designed to offer a comfortable stay for guests. The resort will include a restaurant, banquet hall, meeting and conference facilities, swimming pool, spa, and fitness centre. Positioned approximately 75 km from Navi Mumbai International Airport and 100 km from Mumbai Central Railway Station, the property is expected to cater to both leisure travellers and events-led gatherings.

Meanwhile, Lemon Tree Resort, Igatpuri will offer 90 rooms along with a restaurant, banquet hall, meeting and conference spaces, swimming pool, spa, and fitness centre. The resort is located around 134 km from Mumbai International Airport and 5.6 km from Igatpuri Railway Station, providing convenient access for visitors seeking a getaway in the region.

Commenting on the signing, Vishvapreet Singh Cheema, President, Lemon Tree Hotels Ltd., said, "Our expansion strategy with resorts in Tadgaon and Igatpuri in Maharashtra is deeply aligned with the evolving dynamics of the drive-to hospitality sector. Urban travellers and corporate houses are increasingly prioritizing accessible, high-amenity destinations that don't require complex logistics. By introducing the Lemon Tree Resort brand to these two distinct, premium micro-markets, we are uniquely positioned to capture a highly lucrative mix of weekend leisure, multi-generational travel, and mid-to-high-level corporate retreats."

According to the company, the addition of these two resorts further strengthens Lemon Tree Hotels' presence in Western India while expanding its portfolio of premium regional resorts designed to meet the growing demand from both leisure and corporate travellers.


Goa Records 4.63 Million Tourist Arrivals Between January and May 2026

Goa Records 4.63 Million Tourist Arrivals Between January and May 2026

By Manu Vardhan Kannan

Published on June 22, 2026

Goa welcomed 4,639,165 tourists between January and May 2026, registering a growth of 0.39 per cent compared to the corresponding period in 2025, according to the latest figures released by the state's Department of Tourism.

The numbers highlight continued demand from both domestic and international travellers, despite changing global travel patterns and geopolitical challenges affecting several tourism source markets. Tourism authorities credited the growth to improved connectivity, a wider range of tourism experiences, and sustained confidence among visitors choosing Goa as a preferred destination.

May 2026 proved to be a particularly strong month for the state, with 969,090 visitors arriving during the month. This represents a 4.53 per cent increase compared to May 2025, reflecting continued momentum in tourist arrivals.

Domestic travellers remained the key driver of tourism, accounting for 4,437,018 visitors during the first five months of the year. Foreign tourist arrivals reached 202,147 during the same period. Enhanced air connectivity, charter operations, and cruise tourism have continued to support international visitor traffic.

Goa's tourism appeal has expanded beyond its well-known beaches, with travellers increasingly exploring cultural and heritage attractions, wellness retreats, spiritual tourism, hinterland experiences, festivals, and culinary offerings. These diverse experiences have helped attract visitors across different regions of the state and throughout the year.

Commenting on the performance, Rohan A. Khaunte, Minister for Tourism, Goa, said, "Goa's tourism growth today is being driven by a combination of strong connectivity, diversified experiences and growing visitor confidence. While our beaches remain iconic, travellers are increasingly exploring Goa's culture, heritage, spirituality, wellness offerings, hinterland experiences, festivals and culinary traditions. This broad-based growth is helping us build a more resilient tourism economy while ensuring that the benefits of tourism reach communities across the State."

The state's accessibility has also received a boost through its two-airport network, comprising Dabolim Airport and Manohar International Airport, strengthening connections with key domestic and international markets.

Kedar Naik, Director of Tourism, Goa, said, "The steady growth recorded during the first five months of 2026 demonstrates the strength and adaptability of Goa's tourism sector. Through focused destination development, improved connectivity and the promotion of varied tourism experiences, Goa is attracting visitors throughout the year and encouraging them to explore different facets of the destination. Our focus remains on enhancing visitor experiences while advancing responsible and sustainable tourism growth."

Tourism officials believe the strong performance during the first half of the year places Goa in a favourable position for further growth in the coming months, with continued emphasis on sustainable development, destination diversification, and ensuring tourism benefits reach local communities across the state.


Alcobrew Distilleries Joins IMWA; Gamber Valley Indian Single Malt Marks Category Milestone

Alcobrew Distilleries Joins IMWA; Gamber Valley Indian Single Malt Marks Category Milestone

By Hariharan U

Published on June 19, 2026

Alcobrew Distilleries India Limited has officially joined the Indian Malt Whisky Association (IMWA), marking a significant step in the company’s entry into India’s fast-growing premium whisky segment. The announcement coincides with the launch of Gamber Valley Indian Single Malt Whisky, the company’s debut single malt expression crafted entirely at its Solan facility in Himachal Pradesh.

With this move, Alcobrew becomes part of a select group of Indian single malt producers under IMWA, an association established to define and uphold strict standards for authenticity, production, and quality in India’s malt whisky category. These standards require the use of 100% malted barley, copper pot distillation, and a minimum three-year maturation in oak barrels within India.

Gamber Valley Indian Single Malt Whisky, available in Private Edition 1 and Vault Series expressions—has been developed in full compliance with these guidelines, reinforcing its positioning as a provenance-driven Himalayan spirit.

Maj Gen (Dr) Rajesh Chopra, Director General of IMWA, welcomed the new member, noting that Alcobrew’s commitment to craft and authenticity aligns with the association’s mission to elevate Indian single malts on the global stage. He highlighted that the category is witnessing strong momentum, with Indian single malts increasingly gaining recognition both domestically and internationally.

Alcobrew joins established names such as Amrut Distilleries, John Distilleries, Radico Khaitan, Piccadily Agro Industries, and Diageo India within IMWA’s membership. Collectively, these producers represent a majority share of India’s single malt market, reflecting the rapid maturation of the segment.

The company’s Chairman and Managing Director, Romesh Pandita, described the IMWA membership as a commitment to quality and global ambition. He emphasised that Gamber Valley is rooted in Himalayan terroir and designed to meet international expectations of premium whisky craftsmanship.

Industry data indicates that Indian single malts have gained strong traction in recent years, with domestic brands surpassing imported Scotch in volume terms in 2024, accounting for more than half of total single malt case sales in India.

Alongside its commercial ambitions, Alcobrew reaffirmed its focus on responsible consumption and consumer education, aligning with IMWA’s broader advocacy for transparency and ethical practices in the spirits industry.

With its entry into IMWA and the launch of Gamber Valley, Alcobrew Distilleries positions itself within a rapidly evolving segment that is reshaping India’s identity in the global whisky landscape

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